EXHIBITION OF FINE SILVER FROM TWO PRIVATE COLLECTIONS

 

As etiquette at dinner parties became more prominent, silverware was developed to allow for a less hands-on approach to serving, eating and dining in general. Enjoy this selection of exquisite pieces from two private collections, lovingly researched and assembled over decades.

BRITANNIA SILVER

After the English Civil War (1642-1651) the demand for silver household goods rose and wrought plate (unworked sterling silver) was in short supply. In 1697, the Britannia Standard for silver was introduced by an Act of Parliament to stop the use of British currency (sterling silver coins) being melted for use in household goods, hallmarked with the new Britannia Standard silver mark replacing the lion passant and the leopard head crowned. With a higher percentage of silver (95.833%) in comparison to sterling (92.5%), this higher standard meant that sterling silver coins could not easily be used as source material. Britannia Standard was compulsory for domestic silver until the 1st of June, 1720, when sterling was again approved for use. Most silversmiths reverted to sterling but Britannia has remained an optional standard since, and due to their rarity and quality Britannia Standard silver pieces are sought-after by collectors.

 

Pair of rare round Queen Anne Britannia Standard silver lidded tea caddies, bottoms hallmarked with date mark for London 1702 and maker mark Isaak Dighton, and with "6-7-12" and "6-8-12", lid hallmarks rubbed. Size: 4 h x 2 ½  w x 2 ½ d in C21006 

 

Often produced in rectangular form, this pair of round Queen Anne caddies are superb examples, finely crafted of Britannia Standard silver and with matching lids. The word 'caddy' is thought to derive from the Chinese 'carry', a weight equivalent to a pound and a quarter. Early examples often replicated the first porcelain blue and white lidded examples imported to Europe from China. As tea was rare and heavily taxed, early tea caddies were small and produced in precious materials to reflect the valuable contents within. Early examples were often made in matching pairs to hold green and black tea, and with lids which were used for measuring.

Pair of rare William and Mary Britannia Standard silver bun shaped lidded muffineers or casters, the pierced lid decorated with a flower on top, the sides decorated with the crest "Serva Jugum" (Keep the Yoke). Both muffineers and one lid hallmarked for Britannia Standard, London 1698 and with maker mark for Joseph Bird, one top for sterling, London 1691 and maker possibly John Richardson. Size: 4 h in C21008 SOLD

Fine George I Britannia Standard silver mug of straight sided baluster form with a simple scroll handle, the front later engraved with crest (possibly later), hallmarked with date mark for London 1719 and maker mark William Fleming. Size: 3 ½ h x 3 w x 4 ¼ d in C21001 SOLD

LOVING CUPS

A Loving Cup is a large drinking vessel with two handles, used to pass easily between several people. Often made of silver, these drinking cups appeared throughout Europe as early as the 15th Century. Popular at events such as wedding feasts (hence the name loving cup), as well as other banquets or events, these ceremonial cups symbolized friendship and unity. It was thought that sharing a beverage from a Loving Cup would ensure good health to all who drank from it. Also known by other names, such as the Celtic Quaich and the French Coup de Marriage, by the 19th century they evolved to be used as trophies and were often engraved for the victors of games or competitions. 

George II sterling silver two handled loving cup, raised body with applied girdle to waist, slight flare to lip, cast and applied hollow handles, stepped foot, period engraved monogram to bottom"WDM", side monogramed with initial "S", hallmarked for London 1744, maker's mark for Richard Gurney & Co. Size: 6 ½ h x 9 w x 5 d in C21015

George II sterling silver double handled loving cup with reeded handles, hallmarked for London 1740 and for maker John Swift, inscribed on bottom with "BBV" and engraved on side "R. Charles B. Maunsell in grateful memory Feb. March 1926 EGW", with hand engraved crest. Size: 5 ¾ h x 7 w x 3 ½ d in C21014

 

George II sterling silver two handled loving cup with reeded handles and gadrooned base, bottom with traces of period initials "IDM", hallmarked for London 1739 and with maker's mark for Richard Bayley. Size: 4 ½  h x 8 ¼  w x 5 d in C21016 SOLD

 

TAPERSTICKS

Tapersticks are small table candlesticks designed to hold a wax taper, a small thin tapered tallow candle. Many tapersticks are miniature copies of the period table candlesticks of their era.  Early examples had minimal decoration and simple waisted sockets. By the mid 18th century styles had evolved to include gadrooning, fluting and other examples of Rococo decoration.

These small tapers were frequently required during daily 18th century life when they first became popular.  Often tapersticks were included as part of inkstands, as letters were often sealed with wax melted over the small tallow candle flames and then impressed with an intaglio carved with initials or the family crest. Tapersticks also served as chambersticks, as they were small and light and easy to carry from room to room, as well as for the purpose of lighting other candlesticks or for the lighting of tobacco. Tapersticks are much rarer than the larger table candlesticks and few existed before the age of Queen Anne. Because of their most common uses, they were generally made individually, and pairs are extremely rare.

George III sterling silver rectangular taper stick decorated with a gadroon & shell border, a side-handle with original removable snuffer (with chain), missing original drip-pan bobeche. Hallmarked for London 1808 and maker Robert Emes and Edward Barnard. Sizes: 2 ¼  h x 3 ¾ w x 3 ½ d in C21009 SOLD

George II sterling silver taper stick, the gadrooned nozzle with a crested bobeche having a shell rim, above a shaped stem with shell decoration to the shoulders and a lower threaded knop, over a spreading foot edged by six stylized shells, hallmarked for London 1749 and with maker mark for Henry Morris, with later import marks. Size: 4 ¾ h x 3 ¼ w x 3 ¼ d in C21010 SOLD

 

SNUFFER

Before electricity, candles and candle snuffers were an integral part of everyday life. Candle wicks used to be made of cotton which would start smoking and burst into flames as they grew longer, therefore necessitating regular trimming. The scissor part of the candle snuffer would sever the burnt wick, which would safely fall into the dustpan to be extinguished and discarded. This would also catch any dripping hot wax.

George III Sterling Silver Scissor-Action Candle Snuffer, Maker Mark for William Elliott London 1807. Size: 1 ½  h x 6 ½ w x 2 d in C21013        

 

BRANDY WARMER

These well-balanced baluster shaped single handed pots were used to warm brandy to release the spirit aromas.

 

Diminutive George II sterling silver baluster shaped brandy warmer with wooden handle, hallmarked for London 1733 and maker William Justis, the front engraved with a crest of a fox. Size: 3 h x 6 w x 2 ¾ d in C21005

SALT CELLARS

Prior the mid 19th century when there were new industrial techniques, it was expensive, dangerous and labor-intensive to produce large quantities of salt. As salt was used for food preservation, using it as a seasoning was decadent and therefore expensive and entire economies were based on salt production and trade. Prior to 1930, when an anti-caking agent was added, salt would absorb moisture from the air and tended to clump into one large form. The lady of the house, or head housekeeper/butler, would preside over the distribution of salt at a meal. As salt was an expensive seasoning, only small portions were provided to each diner, and the larger salt lump would be broken down and placed into individual salt cellars. The salt spoon was designed in the 18th century for the individual serving of salt from small salt cellars. 

George II sterling silver salt with chased foliate design of repousse roses and leaves, raised on trifid base with three hoofed feet, with crest "Nobilis Ira", hallmarked for London possibly 1738 and maker Edward Wood who is listed as a salt cellar maker in London from 1722-1740. Size: 1 ½ h x 3 w x 3 d in C21051

Irish sterling silver salt spoon in Fiddle pattern, hallmarked for Dublin 1832 and maker possibly J. Brady. Size: .5 h in x 3.5 w in x 1.25 d in C21058

ASPARAGUS TONGS

Asparagus servers, or tongs, were designed to delicately lift and serve asparagus spears during dining. Asparagus was cultivated as early as Ancient Rome but was only introduced to England in the 16th century. It was not until the early 18th century that asparagus developed a reputation as an exotic side dish to accompany a meal. By the 19th century it was common enough to be featured in multiple recipes by the famous author and writer Isabella Mary Beeton, best known for her book Mrs. Beeton's Book of Household Management. The use of silver asparagus servers became de rigéur at meals during the Victorian era.

George III sterling silver asparagus tongs, with hand engraved crest to handle, hallmarked for London 1816 and for maker WK (possibly William Knight II or William King). Size: 1 h x 10 ½ w x 2 ½ d in C21020 SOLD

MARROW SCOOP

The marrow scoop was developed as a utensil to scoop out the bone marrow delicacy which was highly prized for its richness. Crafted with a rounded spoon at one end and a narrow scoop at the other, it was usually plain in design. Originally produced in mass quantities beginning in the 17th century, today they are mainly sold individually.

 
 

William IV sterling silver marrow scoop, with period crest of bird, hallmarked for London 1824 and maker Jonathan Hayne. Size: ½ h x 8 ¼ w x ¾ d in C21028 

TANKARDS

Tankards, or mugs, have been documented back to approximately 50 AD. They were originally formed with a hinged lid, likely to keep out falling debris from the typical thatched roofs common in rural England. These early tankards were exceptionally large by today’s drinking glass standards, as most would hold several pints and the contents meant to be shared. With industrialization and new building practices the lids for these vessels were no longer necessary. Additionally, the act of sharing one’s drink had fallen out of fashion and now smaller pint and half-pint mugs without lids became the most common. Often these tankards or mugs were engraved or decorated in the latest fashion, some were awarded as prizes for competitions or events and even gifted as christening mugs.

 

George III sterling silver tankard of baluster form with a scrolled handle decorated with an acanthus leaf thumb piece, decorated with a lion monogram, hallmarked with date letter for London 1764 and maker's mark SC (possibly for Simeon Coley). Size: 4 h x 3 w x 4 d in C21000  SOLD

SUGAR NIPS

People have been sweetening food for thousands of years. The English began to import sugar as far back as the 16th century, although for most households the primary form of sweetener was honey which was produced locally. It was not until the 1640’s with the founding of the West Indian sugar plantations that sugar importation took off, and by the end of the 17th century sugar imports to the UK had skyrocketed. Until the late 19th century sugar was sold in the form of a sugarloaf, a tall cone with a rounded top which was the end product of a process refining dark raw molasses into white sugar. To remove sugar from the sugarloaf a variety of tools were developed and early sugar ‘nips’ of the late 17th century were formed to resemble miniature fireplace tools. These early sugar tongs had flat oval ends which were soon replaced with curved bowls that made it easier to grip and remove chunks of sugar from the sugarloaf directly, and later from sugar bowls holding chucks of sugar. Between 1720 and 1730, sugar tongs or nips took the form of little scissors, but by 1770 the more common shape, formed from one curved piece of silver, was fashionable. One of the most common uses of sugar was with the serving of tea, a social status ritual, during which etiquette dictated that tongs were required to transfer lumps of sugar from the sugar bowl to the teacup.

Pair of Georgian sterling silver sugar nips, hallmarked with sterling lion passant (other marks unreadable), inscribed with initials "I*C", English late 18th century. Size: 5 h in C21002  

DISH CROSS

Dish crosses were adjustable trivets which folded flat for easy storage. Popular during the 18th century from as early as 1730 they were placed on sideboards to keep the contents of entrée dishes warm. The stand consists of two square-sectioned arms centrally pivoted, a central area for a spirit warmer with wick, and adjustable combined legs/dish supports to accommodate a variety of dish sizes.

 

George III sterling silver dish cross, hallmarked for London 1766 and maker's mark for William Plummer. Of typical "X" form with sliding supports, the shaped base of each support is modelled to simulate a flower head and the top section of the support, where the dish would be placed, also with a stylized fan shaped design. Size: 2 ¾ h x 13 ½ w x 13 ½ d in C21011

 

ONSLOW PATTERN

The rare Onslow pattern was produced during the mid 18th century and blends the Hanoverian and Old English patterns of silver flatware. The pattern is thought to have been named after Arthur Onslow (1691-1768) who was the speaker of the House of Commons. The overscrolled grooved handle resembles the turned “paperscroll” decoration of earl Georgian chairs, and is cast separately. The handle is then applied to the forged shaft with an angled solder scarf joint. As early Onslow examples are desirable and uncommon, they were often faked and later copied.

 
 

Rare George III sterling silver Onslow pattern spoon. Size: 0.5 h x 8 ¼ w x 1 ½  d in C21066

Rare George III sterling silver Onslow pattern soup ladle. Size: 3 h x 13 w x 3 ½ d in C21060 

Rare George III sterling silver Onslow pattern stuffing spoon. Size: 1 h x 11 ¾ w x 2 d in C21061

Rare George II sterling silver Onslow pattern stuffing spoon. Size: ¾  h x 11 ¼ w x 1 ¾ d in C21063

Rare George III sterling silver Onslow pattern stuffing spoon. Size: 0.75 h x 10 ½ w x 1 ½ d in C21064

 

Sterling Silver Onslow Pattern Gravy Ladle, London 1973, England, CJ Vander Ltd. Size: 1 ½ h x 6 ½ w x 2 ½ d in C21065    

 

SKEWERS

Silver skewers were utilized as functional flatware used to hold joints of meal or poultry in place while being carved. The skewer’s secondary purpose was to test if the meat was fully cooked; with silver being a good heat conductor this would allow the meat to be cooked from within. The physical design of the piece allows the skewer to be pulled from the joint using the ring loop finger piece. As this upper portion would protrude out of the meat joint on the dining table, skewers are commonly engraved with initials or heraldic crests – denoting the family name of the hosting household.

Ornamentation to the skewer developed to include bead and reed ornamentation to the finger piece and shell designs in conjunction with the tapering shaft, reflecting that of a spoon’s heel. These additions to decoration enabled skewers to be produced and included within 19th century canteens of cutlery, incorporating the popular cutlery pattern elements. The design of a silver skewer was ornate. The upper portion of the skewer often featured a ring loop finger piece, making it easy to pull out of the joint when serving. This exposed upper section was commonly engraved with initials or heraldic crests, signifying the hosting household's family name.

George III Sterling Silver Game Bird or Meat Skewer, London 1808. Size: 8 h in C21043  

William IV Sterling Silver Meat or Game Bird Skewer, London 1820. Size: 12 h in C21044

MOTE SPOONS

Tea in the 17th century and most of the 18th century was supplied in a rather crude form with large leaves and a great deal of dust. Mote spoons, with their pierced bowls, were used to separate the larger leaves from the chaff of grit, stones, twigs and even dead insects that managed to find their way into the bags of raw tea leaves during  the harvesting process. Mote spoons were also likely used to remove fragments of tea or ‘mote’ from teacups before drinking. Most had a sharp pointed end of the spoon which would have been used to dislodge blockages from the inside of the spout of the teapot. Mote spoons were less produced and used by the late 18th century -  this is a later example from 1804 which has the addition of a fork on one end.

We have a wonderful collection of early mote spoons available for view in the gallery.

 

George III Sterling Silver Mote Spoon with Fork with Bright Cut Decoration, London 1804. Size: ¼  h x 5 ½ w x 1 d in C21059     

 

STRAINING OR GRAVY SPOONS

Silver straining spoons, also called gravy straining spoons, developed in the late 18th Century. The form evolved from the more common basting, stuffing, gravy and hash spoons with the addition of a slotted or perforated strainer. The straining spoon primarily functioned to serve chunks of meat, vegetables or stew while limiting the amount of liquid. Alternately, it functioned for serving gravies containing full giblets or meat chunks as the strainer would keep these separate from the gravy while serving. Straining spoons were also used to serve meals where it was important to place the solids first, and subsequently cover with the sauce to avoid splashing. 

George III sterling silver gravy or straining spoon in Bright Cut pattern, the plain bowl incorporating an impressive arched strainer ornamented with pierced holes, hallmarked for London 1777 and maker John Lambe. Size: 1 ½ h x 11 w x 1 ¾ d in C21031

Fine Georgian Irish sterling silver gravy or straining spoon with fiddle pattern handle with period crest, the plain bowl incorporating an impressive arched strainer ornamented with pierced decoration, hallmarked for Dublin 1810 and maker Richard Sawyer. Size: 1 ½ h x 12 ¾ w x 2 ¼ d in C21029

George III sterling silver gravy or straining spoon in Old English pattern, the plain bowl incorporating an impressive arched strainer ornamented with pierced vertical lines in two rows, hallmarked for London 1802 and maker Peter, Ann and William Bateman. Size: 1 ¾ h x 11 ½ w x 2 d in C21033 

George III sterling silver gravy or straining spoon in Old English pattern, the plain bowl incorporating an impressive arched strainer ornamented with pierced vertical lines, hallmarked for London 1804 and with maker's mark for Peter, Ann and William Bateman. Size: 1 ½ h x 12 w x 2 d in C21030

FISH SERVERS OR SLICES

Mentions of fish slices have been noted as early as the 1730’s, and by the 19th century most silver services included a fish slice. Constructed from silver or silver plate rather than copper or other metals to avoid the possibility of affecting the taste of the fish, the form had a pierced surface to allow the juices to drain through. Early examples comprised a single symmetrical blade with the pierced surface resembling a trowel. By the Victorian period the blade had evolved to an asymmetrical form with a curved edge, and occasionally came with an accompanying matching serving fork.

 

Georgian sterling silver fish server with spring action, both arms hallmarked for London 1800 and for maker William Eley I and William Fearn, handle stamped WA.
Size: 1 ½ h x 12 w x 2 ½ d in C21026

 

George III sterling silver fish slice with openwork decoration and fiddle pattern handle, hallmarked for London 1814 and maker Peter and William Bateman.
Size: 1 h x 11 w x 2 ¾ d in C21022

George III sterling silver fish slice with openwork decoration and stained bone turned handle, hallmarked for London 1804 and maker Thomas Wallis II.
Size: 1 h x 11 ¼ w x 2 ½ d in C21023
   

William IV sterling silver fish slice with openwork decoration and fiddle pattern handle, hallmarked for Birmingham 1833 and for maker Edward Thomason.
Size: 1 h x 11 ¼ w x 2 ¾ d in C21025

CHEESE SCOOPS

Cheese scoops began to appear in the 18th century, coinciding with the emergence of Stilton cheese. A cheese scoop is made with a short, curved blade on a long handle similar in shape to a garden trowel. The curved shape would be used to core into the centre of a crumbly semi-soft cheese like a Stilton, or to cut a piece from a wax-covered cheese such as Edam or Gouda without having to remove the wax. Stilton is traditionally made in a round wheel with a firm crust or coat. A cheese scoop allows you to remove the cheese from the centre of the wheel with ease, without the need to cut up the wheel. Cheese scoops are still a useful and elegant dining accessory, especially at Christmas time when Stilton is often served at the end of the traditional dinner alongside a glass of port.

George III sterling silver cheese scoop with bone handle, hallmarked for Birmingham 1841 and for maker Joseph Willmore.Size: ½ h x 8 ½ w x 1 ½ d in C21024  

George III sterling silver cheese scoop with pusher, in traditional form with slide above a shovel shaped scoop, the handle engraved with crest and initials "WKM", hallmarked for London 1806 and maker William Eley I and William Fearn. Size: ½ h x 9.75 w x 1.25 d in C21027

TODDY LADLES

Today’s ladle form with its long, thin handle ending in a bowl first appeared during the Roman era, and over time was created from many metals and materials. The first sterling silver ladles were produced in England starting in the 13th century, and were extremely rare until the 18th century. Used to serve liquid from tureens or ceramic bowls, the thin gooseneck handle and dipping cup of the ladle were formed to compliment the design of the tureen. The punch ladle design had a large ladle with a cup big enough to fill a glass. The ‘toddy’ ladle evolved from the Scottish Hogmanay New Year tradition to provide a warm drink, or Het Pint, to greet the New Year. With a smaller than normal cup designed to serve the correct amount of toddy, the handle was often crafted from wood, whalebone or baleen, and horn, later with the addition of silver and sometimes decorated with a coin.

18th century silver toddy ladle with inset Queen Anne silver shilling coin dated 1711, engraved with initials "EKS", with turned wooden handle, top edge of bowl inscribed. Size: 2 h x 9 ½ w x 2 ¼ d in C21128 

Georgian silver toddy ladle with turned wooden handle, inset with Britannia coin dated 1665, with original monogrammed letters "C+O". Size: 2 h x 13 ¼ w x 2 ¼ d in C21018

Sterling silver toddy ladle with wooden handle, hallmarked for London 1974 and for maker C.J. Vander Ltd. Size: 1 ½ h x 18 w x 2 ¾ d in C21017   

Georgian sterling silver toddy ladle with turned baleen handle with silver tip, the bowl hallmarked for London 1781 and for maker GK, Size: 1 ½ h x 14 ½ w x 3 ¼  d in C21019

Irish sterling silver toddy ladle with spout, in fiddle pattern, handle engraved with crest, hallmarked for Dublin 1828 and maker Edward Power. Size: 1 h x 5 ½ w x 1 ¾ d in C21054        

Scottish sterling silver toddy ladle in fiddle pattern, engraved with crest, hallmarked for Glasgow 1834 and maker B&F. Size: 1.5 h x 6.5 w x 1.75 d in C21057

Small Scottish sterling silver toddy ladle, with crest of bird and "HIH", hallmarked for Edinburgh 1806 and maker J. McKay. Size: 1 ½ h x 6 w x 1 d in C21053

Georgian sterling silver gilt toddy ladle with baleen handle with silver tip, hallmarks worn, the bowl with fluted edge. Size: 1 ¼ h x 6 ¾ w x 1 ½ d in C21021

STUFFING OR BASTING SPOONS

There are several names given to these long-handled silver spoons, basting, stuffing, gravy and hash spoons (although hash spoons often have a larger bowl). They were first introduced in the late 17th century and originally used to baste roasting meats with their fat during cooking. They evolved to be used to serve stuffing and vegetables at formal meals.  Early examples had canon shaped handles which were hollow to prevent heat transfer, with later examples designed with handles matching flatware of the period.

 

George III sterling silver stuffing spoon in Old English pattern, with crest of bird, hallmarked for London 1767 and maker William Turner. Size: 1 ¼ h x 11 ¾  w x 2 d in C21038

 

Sterling silver stuffing spoon in dognose pattern, decorated with coat of arms, hallmarked for London 1878 and maker John Hunt and Robert Roskell.
Size: 1 ¼ h x 11 ½ w x 2 ¼ d in C21036
 

George II sterling silver stuffing spoon in Old English pattern, hallmarked for Newcastle 1740 and maker John Kirkup. Size: ¾ h x 12 w x 2 ¼ d in C21037

Victorian sterling silver stuffing spoon in Fiddle pattern, hallmarked London 1837 and for maker Mary Chawner Size: 1 ½ h x 12 w x 2 ¼ d in C21040  

William IV sterling silver stuffing spoon in Fiddle pattern, inscribed "Bowers Coursing Meeting 1823", hallmarked London 1823 and maker William Chawner. Size: 1 ¼ h x 11 ½ w x 2 ¼ d in C21039

George II sterling silver stuffing spoon in Old English pattern, with original crest, hallmarked for London 1746 and maker John Holland. Size: 1 h x 12 w x 2 d in C21035 

Victorian sterling silver stuffing spoon in Fiddle pattern, inscribed with initials "TLF", hallmarked for London 1876 and maker H J Lias & Son (Henry John Lias & Henry John Lias).
Size: 1 ½ h x 12 w x 2 ½ d in C21034

SOUP LADLES

George II sterling silver soup ladle in Old English Bead pattern, hallmarked London 1787 and for maker Thomas Northcote. Size: 2 ½ h x 13 ½ w x 3 ½ d in C21041 

George III sterling silver soup ladle in Old English pattern, with initials "JG", hallmarked for London 1765 and maker Thomas Dene. Size: 2 ¼  h x 11 w x 3 ¼ d in C21042

 
 

George III sterling silver gravy ladle in Old English pattern, engraved with two crests, hallmarked for London 1795 and maker John Wren. Size: 1 ¼ h x 7 ¼ w x 2 ½ d in C21055  

George III sterling silver gravy ladle in Old English pattern, with initial "T", hallmarked for London 1802 and maker Solomon Hougham. Size: 1 ¼ h x 7 w x 2 ½ d in C21056

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